Words, Words, Words . . .

Hero, Hawk, and Open Hand: American Indian Art of the Ancient Midwest and South (here November 20, 2004–January 30, 2005) is a full-scale exploration of the art, architecture, and ritual performance of a large branch of pan-American civilization virtually unknown to the American public—that of the M

Skin + Bones: Parallel Practices in Fashion and Architecture brings a broad but focused light to bear on the parallels between the “skin”—or exterior surface—and the “bones”—or structural framework—of both clothing and buildings of the past 25 years.

Claude Monet ranks among the greatest painters in the entire history of art. His career spanned a revolution that was predicated on the intensification of realism and eventually led the way to abstraction.

Exploration of the history and benefits of William C.C. Chen's Yang Family style Tai Chi Ch'uan

A brochure for the Einstein Papers Project, at the California Institute of Technology--the place for "all things Einstein."

Robert Rauschenberg: Combines, the landmark exhibition organized by The Museum of Contemporary Art, Los Angeles (MOCA), that was a critical and popular success during its New York run (at The Metropolitan Museum of Art, December 20, 2005–April 2, 2006), comes home May 21, when it opens in more

In reviewing engineering plans for Ecstasy exhibition-related artwork, questions related to its structure have arisen requiring further study and evaluation.

Words for the 150,000 marketing brochures printed for Gerhard Richter: Forty Years of Painting and two other shows of contemporary German art

Preview of a massive art exhibition that was shown at The Museum of Contemporary Art, Los Angeles

The Museum of Contemporary Art, Los Angeles (MOCA) is presenting William Kentridge: 7 Fragments for Georges Méliès, its first-ever exhibition of the multi-disciplinary South African artist Kentridge.

Splendors of Imperial China: Treasures from the National Palace Museum, Taipei presents nearly 375 exceptional works in all traditional media spanning nearly five millennia—from the Neolithic period through the 18th century—most never before seen in the West.

An extended informational piece on the Einstein Papers Project, at CalTech--the Pasadena, California-based home of “all things Einstein.”

Heirs of two Holocaust victims killed during World War II, and Daniel C. Searle, Life Trustee of The Art Institute of Chicago, reached a settlement today over ownership of Landscape with Smokestacks, a pastel monotype by Edgar Degas. As part of the settlement, the Goodmans and Mr. Searle asked The

Mozart never completed the lively opera Zaide but now, 230 years on, internationally renowned Music Director of the Santa Monica-based Baroque ensemble Musica Angelica (and fellow Austrian) Martin Haselböck “evens” the score.

In the tradition of Chicago’s rich architectural heritage and position as a major center for architectural innovation, the Art Institute of Chicago unveiled today the design for a 264,000-square-foot expansion of the landmark Beaux-Arts building originally completed in 1893. Pritzker Prize-winning

A Public Affairs Executive addresses his entire media list

A noted psychotherapist combines theory, personal stories, and empowering exercises to produce an invaluable book for those caring for dying or disable loved ones.

The Art Institute of Chicago has announced the award of a $2.75 million grant from The Andrew W. Mellon Foundation. This generous gift will endow a new senior Art Institute position—that of Conservation Scientist within the museum’s Department of Conservation—and provide funds for use over a five-ye

Board Chairman's remarks for new museum building groundbreaking

Remarks by Sr. Vice President for Development and Public Affairs at the farewell event of his Vice President of Marketing and Public Affairs

Bill Viola: A 25-Year Survey is the first full-scale overview of the California-based artist’s work. It is also the largest exhibition ever devoted to the output of a single artist working in the field of video and installation art.